You're a wax cast, carbon copy figurine to this man-made, soul screening.Plastered, plastic meaning onto a transparency.And when the lights flicker back, you hang like an old dried up piece of negative film.Opaque, underexposed and washed away.
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She kept creeping up on me with these nostalgic responses;
holding her hypothetical, homemade, paper mache noose
between her fingers like glue, contemplating human restraint
and asking me, "Do you think I could be death proof?"
Jesus; she just sat there in front of me,
putting on its last few touches by her bedside.
Innocent enough as an attempt to comb
her story time, golden locks with sugar cane laces of mace;
afraid one day I'll find her on MyDeathSpace or on the evening news.
I spruced up the conversation a bit with unnecessary compliments;
got shot down quick by a girl so narcissistic and cutthroat,
she asked me to proofread her own suicide note.
There were more errors than the barriers between us;
sturdy barricades to match each word running on her renegades,
displaying sharp blades and paraphrases loosening her self-worth.
Standing in her halfway dug grave;
my hands were filthy with her own personal downgrade of dead earth.
Most people stop being genial by this point.
But it was her own white lies that seeped easiest into my skin;
her hairpins even wearing death better than she was wearing her hairpins.
I was sickened.
Breathe into the receiver.
Dial 911.
"Hello?"
"Which layer hurts you most today?"
Next time, don't use so much glue.
Pity attracts jet lag hearts
and runs right through soft spot,
impartial, self-targeted boycotts.
There's no winning the jackpot
when it comes to you.I cocked my mouth in an unexpected, passive aggressive split second as she lies there second guessing herself. First; by the bedroom drapes she created a second layer of skin, I indulged in the vacant space of silence to tell her the atmosphere didn’t fit her style. Second; by my widened and dilated pupils covering her insecurities too easily as if I shot and aimed at her walls she determinedly built, I missed her kiss by the thousand miles I could see, but we still can’t touch our own bones.
So I made this up; she and I never spoke a single word. I just poured over her like a rain cloud, a slicing blade of ice to her ice skates, the right words never spoken into a microphone, a child choking alone in a house forgotten, switched lights with red and green and fallen eyes between two crashing cars, the love made between politicians and innocence. Swift; soft, vulnerability, she cries onto me with movement into my jaded ears like dull spears. I’m clearing my throat so I can digest the moment right. With a stocked up esophagus for times like these, hibernating ideas like her meal I am coddling a new breed of disease.
Okay, so even I made THAT up. We never got as close to touching. I just stood there; she was sprouting and I was disappearing in her lips’ hush. So much for alternating words into cities; feet smothered like my eyes just gazing like a fucking mute on a commuter train of rejected thoughts that could never grow, even in the midst of a monsoon, brainwave tycoons refusing to work on the sidewalk of a strike, a well rehearsed chorus line so unlike me. Never hand me the opportunity of an open mic.
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You wake up in a backstroke position;
tight eyes wrapped around the goodbye of a dream
with watered down exceptions of the living easy.
But it's not easy living in a slippery state,
listening to my suede mistakes like the counterfeit leather
jacket that never fit you right with your denim jeans.
You say you're tired of being depressed;
I tell you to hold onto me.
But I've always been no good with semantics.
I speak tragic when I mean happy.
I cured my alcoholism with a self help book;
added fire to the flame that was once undercooked
by the freezing touch of our tomb-like skin.
But no matter how long I practice revival;
you were always the strong, silent type
holding quiet eyes in the loudest rooms.
I say I'm tired of being depressed,
but I have no one to hold onto me.
I've always been no good with semantics.
I speak tragic when I want happy.----------------------------------------
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She's staring at the strings
with her fingers and precisely placed organs
that makes my tongue melt her music
when orally translated through taste buds.
She could sing a four-course meal
simply by stroking her guitar.
As she's far too deep inside her own muse
to notice I'm writing lyrics
to her electrical, loose fuse;
she sends me shaking up, solely from
the illumination of her burning insight
to those dim things we tend to take for granted –
like truth.
And it's those hidden parts;
my knots of thoughts that fail
to rest easy in her short circuit strokes,
like fine written footnotes making up her beauty marks.
When I start to hesitate in harmony,
she offers me a refrain of chain reactions.
But it's her sentimental pheromones
that has my backbone stretched out
and hollowed to the curve of her delicately pitched tone;
she's got me swallowing the catastrophe
she sheds onto me in her final crescendo.
Though her eyes never follow through
like her cigarette smoke to the open window,
she persists in music as with life through existence.
And I spend my days in between my own teeth,
trying to sing her worded seeds into blooming clarity.